Friday, May 29, 2009

It's Nice to Know You Work Alone

- Silversun Pickups

A slight re-arrangement of the top tracks, nothing to write home about. I was stuck driving more than usual this week and so I turned to some old, old CDs from about ten years ago. I decided to really dig back and get some stuff out to see if it stood up.

And for the record: Limp Bizkit doesn't stand up. Even a little.

I was really only a fan of Significant Other, which I believe was their most successful commercial album. I found fun delight in their cover of George Micheal's Faith, but their earlier work was nothing special, and after the departure of Wes Borland, I lost all interest in the group. But now I know that even Significant Other was mostly just crap. A rare exception is the track Rearranged, which is a listenable tune. But there is nothing good on the entire album and I'm trying to figure out how teenage me liked it so much.

For the record: Joshua Tree is still an awesome album.

01. It's Nice to Know You Work Alone - Silversun Pickups ( - )
02. The Running Free (Acoustic) - Coheed and Cambria ( - )
03. Threesome - Fenix TX ( - )
04. The Royal We - Silversun Pickups (+2)
05. Come Close (Acoustic) - Saosin (-1)
06. ...All the Go Inbetweens - Silversun Pickups (-1)
07. No World for Tomorrow - Coheed and Cambria ( - )
08. What It Is To Burn - Finch (+2)
09. Y Control - Yeah Yeah Yeahs ( - )
10. Cheated Hearts - Yeah Yeah Yeahs (-2)

Nothing knocked off

Thursday, May 28, 2009

As I Am

- Dream Theater

This is a truly silly post, but it's here anyway. I got turned on to Dream Theater thanks to my friends Mark and Jason. While my preference for prog rock goes more toward Coheed and Cambria or Muse, Dream Theater still has managed to hold my attention and get a bit of love. It seems within the rabid fan base of Dream Theater one should rank their favorite albums. And so after having a few months to listen, here are my top 5 favorites. It doesn't line up at all with what I saw from both Jason and Mark, but it just shows that I'm not into traditional prog rock.
  1. Octavarium
  2. Systemic Chaos
  3. Train of Thought
  4. Six Degrees of Inner Tuberulance
  5. Images and Words
Any Dream Theater fan will tell you I'm a heretic for not including Scenes From a Memory, but I just couldn't find myself getting lost in it. When I listen to prog rock I really value heaviness and brevity, which I know almost goes against the genre. I think what draws me to the genre is the musicality and depth of the songs, not really the length. When these composers (I wouldn't call them song writers) force themselves to really give something concise, I think that's when they're at their best.

Tuesday, May 26, 2009

Post Script

- Finch

I apologize in advance for any hiatus which will follow this weekend.

It's my first weekend on set with Hard to Be Me.

The five week long shoot won't go the whole time, but work around people's schedules and shoot here and there where it can. I can guarantee you at least a little bit of Twitter magic on set. So you can either follow along with that in the right column of this blog, or just follow me if you have a twitter account. It'll be my first time on set with Twitter and I'm looking forward to using it to give people a glimpse into the shoot from the director's chair.

No doubt you'll be getting such gems as my morning whine session from today:
has started to have difficulty sleeping. The production jitters are setting in. June will be a very long month.
I don't think I get performance anxiety (or whatever the directorial equivalent is); or I'm too manly from my youth being raised on a potato farm in Wisconsin to admit it. But I usually do find it impossible to sleep during production. Usually "production" has been a stretch of five days or two sets of weekends. Even during these shorter times, I remember getting insanely sick on the set of The Devil's Dictionary and pounding down DayQuil.

Hard to Be Me is four times as long as my longest short.

So for my body as well as my girlfriend I hope I can find some sleep at some point during production. Aside from the sleep thing, I generally forget to eat and then am insanely hungry at like 1:00 AM when the crew is striking for the day. Even when I do have time to eat, I sometimes pass so I'm ready to go again the moment the crew is. I don't want any time to be wasted on my watch. If you've ever been on a set you'll know the biggest enemy is time.

But we've got big plans for giving you behind the scenes access to a lot of the product before you even see the front side, so I will definitely blog about all that. Stay tuned.

Sunday, May 24, 2009

Follow and Feel

- Saosin

So I watched Terminator last night. I'm not doing a full review, but just will say a couple of things:

The action scenes are beyond impressive. The best part is that they never feel truly over the top (considering it's Terminator), for the most part McG does a great job playing with the medium and ruining your sense of orientation, only to give it back to you for the proper impact. It's not overly dramatic, nor does it put your heart in your throat too much, it's just really good action that rarely lets up.

Bryce Dallas Howard is insanely attractive.

The problem comes when it does let up. There are a couple of groaner lines and the melodrama is palpable. Terminator was never overtly deep, but at least it wasn't like watching One Tree Hill. Sadly, this is where it is as it's worst. There is a point where the film tries to turn the tables and be clever. It does neither, luckily this doesn't last long.

There is a cameo that is worth the price of admission. Guaranteed.

For those interested in Terminator lore, the plot really is not advanced. It's just a glimpse into the post Judgment Day world that John Connor is fighting in. If you want more than that you will be disappointed.

I couldn't tell which scene it was that Christian Bale was yelling at the cinematographer for.

Friday, May 22, 2009

It's Nice to Know You Work Alone

- Silversun Pickups

Hey, how about that, there's a crap ton of posts between this one and last week's top ten. Looks like this whole keeping things simple works well, eh?

The Hives were finally bumped off and frankly I'm not quite sure how they ever got that high. Don't get me wrong, I love The Hives, but I can't remember the last time I dialed them up on purpose. I'm definitely getting impatient about the new Finch and Saosin albums, so hopefully they come sooner rather than later.

I'm still generally annoyed with iTunes' Genius function not work for major releases like Silversun Pickups' Swoon. I mean, I just started a listen with Apparently Nothing's Thirteen. Now while I love Apparently Nothing (especially for lending their tunes to Microcosm), but if it works for them it should work for stuff like Saosin's Grey EP, right?

01. It's Nice to Know You Work Alone - Silversun Pickups ( - )
02. The Running Free (Acoustic) - Coheed and Cambria (+2)
03. Threesome - Fenix TX (-1)
04. Come Close (Acoustic) - Saosin (-1)
05. ...All the Go Inbetweens - Silversun Pickups ( - )
06. The Royal We - Silversun Pickups ( - )
07. No World for Tomorrow - Coheed and Cambria ( - )
08. Cheated Hearts - Yeah Yeah Yeahs (new)
09. Y Control - Yeah Yeah Yeahs (+1)
10. What It is To Burn - Finch (new)

Bumped off: Well Though Out Twinkles - Silversun Pickups, Hate to Say I Told You So - The Hives

Thursday, May 21, 2009

Back in Your Head

- Tegan and Sara

This video largely speaks for itself:



If you want to see and hear more inane awesomeness from Stop That Nun, subscribe to their podcast.

Wednesday, May 20, 2009

Stockholm Syndrome

- Blink 182

This started as a response to Dino's Wausau Has No Movie Theaters. Sadly it's ballooned into a whole post. All the same, I was happy to see that Dino got folks back on track, as the big "Wausau without boarders" debate really missed the point of what he was trying to get across:

The death of a cultural landmark in any community is a sad thing.

Now, far be it from me to talk about the merits of Crossroads Cinema. That place was a pile of crap in terms of facilities. I went to Cedar Creek more often than not, but some of my best Wausau cinematic experiences came at little ol' Crossroads. Punch Drunk Love, The Fountain and other smaller releases that Marcus barely found the strength to touch with a ten foot pole. The death of Crossroads is the death of the only possible place that one could see limited release films in the greater Wausau area, that's the sadness.

And it goes to the heart of what Dino was talking about: the brain drain in Wisconsin in general. Wausau just serves as a (pardon the following shameless self-promotion) microcosm of that. I'm just case number 655321 (kudos to those that get the reference) of this in action every day. And while no doubt it comes from the lack of job opportunities, there's more to it than that.

Young professionals are sick of franchise cities, and that's exactly what Wausau has become; and really almost every city in Wisconsin. No matter where I live I'll be able to see the big releases, I'll be able to go to the big name band stadium tours, etc. This is not the current generation's idea of a great time. We don't want to shop at Wal-Mart, we don't want to plan out months in advance to go to the Green Day concert. We don't have kids, we want to go out on random nights and find new things. We want to be able to go out on a random night and discover an awesome electronica group from Ireland. We want to shop at an open merchant market place.

Don't get me wrong, I was in the multiplex for Wolverine and I'll still stop by Target to pick up toilet paper.

But it seems the previous generation, no doubt left over from their massive consumerism in the 80's, now wants a name they can trust and scoffs at adventure. It's understandable, when one has the 2.5 kids and high responsibility management positions, one doesn't want to see if a place called the Black Cat Cafe has a good black bean burger. One wants McDonalds because it's safe, known and reliable. Fair enough, that's your call. But we're fresh out of college where we were taught and learned to embrace the off beat and different. We've had the internet almost all of our lives and we want what we get there: a huge variety of niche offerings that fit us better.

So how does this all tie back to the Crossroads? It's one less option. There's now a monopoly of locations to see films (there already was in terms of companies, but like I said, Marcus would occasionally stick some limited release stuff in Crossroads). This is the antithesis of what my generation wants. Where I live now, there are nine movie theaters within a twenty miles radius; two of them are art houses, one shows first run Bollywood films. The Fillmor, while most of the blame for its downfall (in my opinion) falls on the management, even well managed would probably not be able to stay in business and offer what we want:

New, fresh, different, exciting.

Because that doesn't sell in the Wausau area. Despite getting media coverage from Citizen Wausau, The City Pages, WSAW and The Wausau Daily Herald, I couldn't get people to show up and watch the film I shot of their city with an admission price of free. Because it wasn't made by a studio, had an army of publicists getting the word out to convince them it was a safe bet for a good night. And who knows, maybe those fine folks that did come out that night thought it sucked. But hey, they gave something a shot that didn't have ads on during the latest reality show.

Crossroads closing is Wausau speaking, yet again. They don't want what a culture that grows and, more importantly, keeps folks like myself around. A community that supports a wide variety of art, expression and culture cultivates industry to support it and produce it, a following to take it in and creates a new generation of bohemians. Wausau's embrace of the mainstream, the franchise, cultivates a bored youth culture that can't wait to leave.

I'm not saying people should have gone to Crossroads to see films they didn't like at a venue with subpar facilities; what I am saying is that Wausau continues to use it's most powerful voice, the almighty dollar, to vote out everything but the franchises. And this is fine, when I'm road tripping I'm not going to hunt down the mom and pop burrito place when Taco Bell is right off the freeway. There's something to be said for the safety of the brand name.

But it's not going to cultivate a culture of art, expression and new ideas.

I am mostly preaching to the choir on Citizen Wausau, a vast majority of the folks there hit up Downtown Grocery, buy their indie albums from Innersleeve and generally keep a variety of options open for my generation to discover and partake of if we do end up in Wausau. As I said in my quasi-farewell post on my personal blog: they are working to someday make Wausau the type of town I needed it to be now.

But for the rest of Wausau, it's just sad to see the visogoths are winning.

Tuesday, May 19, 2009

Time is Running Out

- Muse

While I am shot listing and working on other things in these final weeks before shooting of Hard to Be Me, I'm already looking past this potential-filled project on to getting paid to do real work. As Margie and I look at moving into DC proper, the issue of my lack of payment from my day job (which had asked me in the past not to speak of them, but if I don't get paid for the last two months of work I did for them or even hear anything I may change that) and a dry spell of screenwriting work has me looking places most of us in this business don't want to, but usually have to.

Corporate video!

That and news video and other areas that have more money and less art than them. Once again we all see the weakness of the free market: the money is in what's most profitable, not necessarily what's "best." But the, of course, the philosophical argument comes in what's "best" exactly? A mess and not what this post is about.

It's tough for a professional such as myself to pay the bills and chase the dream. While an actor can get a day job and then go to rehearsals and performances at night and on the weekends, many times a film/video professional must do "work" at the same time they chase the dream. Second and third shifts are very common for news, especially low on the totem pole and corporate video shoots often extend into nights and weekends as well.

Also it's a different time commitment. While actors do character work and line memorization, most of their work is done on the set/at rehearsal. I need to do a lot of work off set, in fact a good director will do little on set, pre-production should've put all the pieces in place. So getting a day job at an office or something is pretty infeasible as well.

If I just wanted to hold a boom pole or run some cables, it'd be one thing. But sadly, my ambitions are much bigger than that. And so I am stuck trying to build my reel, resume and awards list at all possible times. It's tough to afford the time to be not doing that, so even the day job has to help advance your career.

All of those things together mean walking that thin line between doing stuff like corporate and news video that's artistic and can help your reel while still getting paid.

I think news video has huge potential to be a highly artistic form, but sadly, people both inside and outside of the business don't see it that way.

And this reputation outside the business is sadly well deserved, most inside of news want breaking news, even though the internet is always going to beat them to the punch. They want it done in time for breaking into programming or to lead off the show rather than taking the time to craft it and make it a visually stunning piece. Television's big difference from the internet is the ability to deliver streaming high resolution video. Much like magazines have switched from providing up to the minute (month?) news to in depth feature pieces, so too should television make this switch. Just as magazines were usurped by radio and television as fast ways to get out information, so too is television.

But it will take at least a generation before something like this can happen. Too much of the old guard is still married to breaking news rather than in depth features. The only question is: will it be too late at that point? Newspapers, rather than adapting to the internet, have stubbornly stuck to trying to beat the internet at a game that is stacked against them; now they see the end coming for them as more and more are in financial trouble.

Anyway, this was all a round about way to say here's my new demo reel:

Monday, May 18, 2009

Breathless

- Lifer

[this is a post from the Stop That Nun boards]

Well I think I may get off of YouTube for most of my video work. While the exposure is top notch, they may have gotten too good at detecting minor copyright infringement for my taste. It's impressive, because technically I am breaking copyright and should be held accountable, but by the copyright owner, not the hosting service.

And I seriously doubt using a mash up of three tracks from no hit wonder late 90's nu-metal group Lifer was going to get me in any copyright trouble.

I uploaded my new demo reel: http://www.vimeo.com/4708628

And within a minute (before I even finished writing the video information as it used the default name in the warning e-mail, not the one I gave it) they had flagged it for containing copywritten music. And indeed it does, it's a mash up of three different songs from Lifer, who while over the top in their embrace of nu-metal, is delightfully heavy. Regardless, the group released only one CD to piss poor critical reviews and little sales. So I thought it would be alright to tap some of that really heavy stuff for my reel, no harm no foul.

It isn't, I know this, but hey, everyone else uses copyrighted music in their reels so why not?

While YouTube got the owner wrong, it's not Warner Music Group, it's on Universal, they got it without a single mention of the tracks in the description, title, tags or even the video itself. I also edited the tracks, moving transitions around using snippets of three different tracks, it was still picked up someway, somehow, which is impressive.

Impressive... if this was an accurate reading, but crappy if this thing just picked it up and flagged it without discrimination. Like I said, the tracks are heavily edited and don't sound much like their original recordings in terms of structure and they got the label wrong. Are they just flagging anything that sounds well produced? It'd be interesting to play with for someone.

[sweet irony, yes this image of Calvin peeing also breaks copyright]

Friday, May 15, 2009

It's Nice to Know You Work Alone

- Silversun Pickups

Another slight shuffling, one new Yeah Yeah Yeahs track replaces the other and that's about it. I would think as summer rolls around that you'll see more pop punk on here, it just fits the mood. But who knows?

01. It's Nice to Know You Work Alone - Silversun Pickups ( - )
02. Threesome - Fenix TX (+3)
03. Come Close (Acoustic) - Saosin ( - )
04. The Running Free (Acoustic) - Coheed and Cambria (-2)
05. ...All the Go Inbetweens - Silversun Pickups (-1)
06. The Royal We - Silversun Pickups (+1)
07. The Running Free - Coheed and Cambria (-1)
08. Hate to Say I Told You So - The Hives ( - )
09. Well Though Out Twinkles - Silversun Pickups (+1)
10. Y Control - Yeah Yeah Yeahs (new)

Thursday, May 14, 2009

This Charming Man

- The Smiths

In an attempt to get more posting on here I'm going to try for short sweet stuff rather than the novels I have sitting around my draft folder. Here goes.

I'm from Wisconsin, and I was unaware of this, but Jesus came back to Earth the other month in the form of Danny Gokey. At least if my friends twitters, status message and photos are to be believed. He apparently just lost in the finals of the world's biggest karaoke contest.

The man had a parade in his honor in Milwaukee, his home town. There's a Danny Gokey day in Milwaukee now. As my friend Andy put it: "All veterans have to share one day, but Danny Gokey gets one to himself?"

And that's exactly what I'm talking about. What the hell is the city planning on doing when someone from the town does something that's actually worth a damn? Give them fifty virgins? Shut down the streets of downtown for a huge party? This dude sang other people's songs (I'm assuming) reasonably well on national TV.

Some people get angry about this Swine Flu thing, saying the media took it too far. But the media is just a ratings machine, news is a business and if listeners didn't want it, the ratings would've reflected it. But people did want it, and people want Danny Gokey to be treated as if he cured cancer and had sex with all the girls on this year's Hooters calendar.

I'm all for people chasing their dreams, and if it's Danny's dream to sing the best damn karaoke this side of Kelly Clarkson, more power to him. But to get angry at the media for hyping up such a silly thing is to place the blame on the wrong people. Whether it's Danny Gokey or the latest product of evolution in viruses it's not the media, it's us.

Friday, May 8, 2009

It's Nice to Know You Work Alone

- Silversun Pickups

So the Silversun Pickups' iron grasp on me is weakening, and that's probably for the best. I'm enjoying the hell out of them, but I know I really burnt myself out on Black Rebel Motorcycle club a couple of years ago and still can barely listen to them now. Which is a real shame, because in my head I really still think they're a damn good group. But I wore them out.

I also have removed The Shins entirely. Something just snapped in my the other day and I realized that I don't listen to them whenever they come on random or genius. I don't think I actually like The Shins. Did I ever like them? Or was I just brainwashed by Zack Braff and his indie charm? Regardless, I feel like I've grown as a person.

Real posts are coming, and thank you for your patience. There's saved drafts, I swear it. For now, go over to Nick Olig's blog and read his latest offering: The Knife Salesmen. It's entries like this that remind you why blogging works in a way no other medium can.

01. It's Nice to Know You Work Alone - Silversun Pickups ( - )
02. The Running Free (Acoustic) - Coheed and Cambria (+6)
03. Come Close (Acoustic) - Saosin ( - )
04. ...All The Go Inbetweens - Silversun Pickups (-2)
05. Threesome - Fenix TX ( - )
06. No World for Tomorrow - Coheed and Cambria (-2)
07. The Royal We - Silversun Pickups (+3)
08. Hate to Say I Told You So - The Hives (-2)
09. Gold Lion - Yeah Yeah Yeahs (-2)
10. Well Thought Out Twinkles (-1)

Knocked off: Nada

Friday, May 1, 2009

It's Nice to Know You Work Alone

- Silversun Pickups

Just a big ol' Silversun Pickups sammich here.

With the excitement brewing over the new release forthcoming from Coheed and Cambria, I've been revisiting their grossly underrated most recent attempt: Good Apollo, I'm Burning Star IV, Volume 2: No World for Tomorrow. Other than that, as Summer becomes more the norm I've been turning to more pop-punk and dance rock.

01. It's Nice to Know You Work Alone - Silversun Pickups (new)
02. ...All the Go Inbetweens - Silversun Pickups ( - )
03. Come Close (Acoustic) - Saosin (-2)
04. No World for Tomorrow - Coheed and Cambria (+1)
05. Threesome - Fenix TX (+1)
06. Hate to Say I Told You So - The Hives (+1)
07. Gold Lion - Yeah Yeah Yeahs (-3)
08. The Running Free - Coheed and Cambria (new)
09. Well Thought Out Twinkles - Silversun Pickups (-6)
10. The Royal We - Silversun Pickups (new)

Bumped off: Cheated Hearts - Yeah Yeah Yeahs, Call to Arms - Angels and Airwaves, Lazy Eye - Silversun Pickups